Baudelaire’s Paris Looking at Africa, and Vice Versa

- Rolls, Alistair, Johnson, Marguerite

Sappho and the feminist movement: twentieth and twenty-first centuries

- Johnson, Marguerite

Baudelaire and the Classical Tradition: Virgil, Ovid and Sappho in Paris

- Johnson, Marguerite

Catullus' fantastical memories - poem 68 and writing trauma

- Johnson, Marguerite

Eighteenth and Nineteenth-Century Sapphos in France, England, and the United States

- Johnson, Marguerite

Introduction: remembering in Paris and Paris as remembering

- Rolls, Alistair, Johnson, Marguerite

Performing Theocritus's Pharmakeutria: revealing Hellenistic witchcraft

- Johnson, Marguerite, Kimball, Nicole

Sappho in Australia and New Zealand

- Johnson, Marguerite

Sappho in the Salons

- Johnson, Marguerite

Teaching entangled Australian sexual histories: Pedagogy and approaches

- Bennett, James, Johnson, Marguerite

Black Out: Classicising Indigeneity in Australia and New Zealand

- Johnson, Marguerite

Introduction

- Johnson, Marguerite

Wesley Enoch's Black Medea

- Ewans, Michael C., Johnson, Marguerite

Porphyry and 'Neopythagorean' Exegesis in Cave of the Nymphs and Elsewhere

- Tarrant, Harold, Johnson, Marguerite

Radical brothers-in-arms: Gaius and Hank at the racetrack

- Johnson, Marguerite

Eroticized environments: Ancient Greek natural philosophy and the roots of erotic ecocritical contemplation

- Sharkie, Thomas, Johnson, Marguerite

Ovid on cosmetics: Medicamina Faciei Femineae and related texts

- Johnson, Marguerite

Storytelling and authority: critical poetics in Plato's Symposium

- Johnson, Marguerite, Benitez, Rick

The stripper castrated, or how Leigh Redhead's "Peepshow" stages the art of 'being both'

- Rolls, Alistair, Johnson, Marguerite

Witches in time and space: Satire 1.8, Epode 5 and landscapes of fear

- Johnson, Marguerite